The Best Places to Eat and Do in the United States

Dave Beran's Santa Monica bistro leans hard into France with no apologies and no asterisks. Wood beams, exposed brick, and white kitchen tile set the scene, and the pressed duck for two is the kind of centerpiece that makes the table next to you lean over and ask what you ordered. The marble bar handles a more casual drop-in just fine, with Champagne and caviar if you're feeling it. A New York Times pick for the city's best.

The meal ends with saltwater taffy tucked into the check, which tells you everything about Greg Vernick's intentions at this sleek seafood restaurant inside the Four Seasons. Terrazzo floors and floating orb fixtures signal expense-account territory, but the menu keeps drifting back to Jersey Shore summers. The branzino, the sardine toast, the ceviche all read serious, and then there's a diner slice from the pastry case waiting at the end.

The broad patio sweeps out from a small turquoise-trimmed adobe inn with the Camelback range as a backdrop, which is doing a lot of work before the food even arrives. Lon's is a white-tablecloth Southwestern restaurant in Paradise Valley, seasonal and quietly inventive, with weekend brunch drawing the kind of crowd that lingers over customizable margaritas and monkey bread loaded with caramel and cream. The bar is serious, the mountain views are free.

The patio looks out over the 18th hole of Torrey Pines Golf Course, which tells you most of what you need to know about the vibe: California-casual with a country-club undercurrent, Craftsman beams and amber lanterns inside. The kitchen leans hard into Southern California's year-round growing season, so the California New American menu shifts with what's actually good. A AAA Four Diamond fine dining restaurant where the dress code is implied but never oppressive.

Caviar arrives on mother-of-pearl spoons, and the potato gets the Robuchon purée treatment, which tells you exactly where you are: a polished French restaurant in an era when that's a rarer breed than it once was. The kitchen still bakes madeleines to order, and for a modest surcharge a waiter will shower Périgord truffles on whatever you're eating. The New York Times named it among Chicago's 25 best restaurants. Dress accordingly.

The smoked dome arrives at the table before anyone lifts it, which tells you something about the ambition here. This is an upscale Japanese restaurant and sushi bar in Montrose from chef Manabu Horiuchi, and the menu moves between precise nigiri and dishes that are harder to categorize, in the best possible sense. Texas Monthly named it the top new restaurant in the state, and the James Beard Foundation named Horiuchi an Outstanding Chef semifinalist in 2026.

Jeremy Ford runs this modern tasting menu restaurant inside the Venetian, and the kitchen leans hard into vegetables without pretending it isn't also very interested in wagyu and foie gras. Two tasting menu lengths give you a choice of how long to commit, but the bar menu with its cacio e pepe puffs and charred jerk carrots is a genuinely good argument for just pulling up a stool instead.

A Creole barbecue trailer parked behind a kolache shop is either a strange detour or exactly the point, and at Parish it's the point. Cajun spice rubs and Tabasco glazes nudge central Texas classics sideways, and the menu runs past brisket into pulled duck and boudin. Sides like pimento mac topped with Zapp's chips and crawfish cornbread stuffing do their own convincing. The Michelin Guide awarded it a Bib Gourmand.

Spruce sits in one of San Francisco's quieter money neighborhoods, Sacramento Street, where the locals dress well and never seem to be in a hurry. It's a fine dining room doing Modern American with a California lean, the kind of place where lunch runs to composed salads and sandwiches and dinner quietly shifts registers. The cooking is precise and seasonal without announcing itself, and the California wine list gives you plenty of reasons to linger.

An oxblood lacquered ceiling and a menu displayed on a glowing marquee running the length of the room set the scene at this French wine bar across from the Transamerica Pyramid. The kitchen leans on peak produce and serious seafood, with the wine list thick with under-the-radar Gallic producers. The New York Times named it to their Restaurant List in 2025. Walk-ins compete for counter seats; reservations go fast either way.

The underground RiNo dining room glows with neon, and the menu swings just as freely, pairing global flavors across courses in combinations that shouldn't work as well as they do. This is a casual but serious dinner spot where the cocktails lean on dates and balsamic vinegar and the kitchen hosts pop-ups for emerging local chefs. Westword named it among Denver's top fifty restaurants, and Eater puts it on their city essentials list.

On the 17th floor of the Four Seasons Orlando, Capa is a Spanish-leaning steakhouse where the view over the resort competes hard with the menu. Michelin one-starred, it spans gambas, sherry-braised mushrooms, and substantial bone-in ribeye, with a pastry program that turns gazpacho into dessert. The setting pushes it toward celebration territory, and the crowd dresses accordingly.

Wolfgang Puck's steakhouse inside the Four Seasons on Wilshire is the kind of room where the banquette seating and the beef grades arrive with equal seriousness. Cuts run from American prime to Australian Wagyu to Japanese A5, and the price of your entrée will make this feel like a consequential evening regardless of what's being celebrated. The crowd tends to be well-dressed and on somebody's expense account.

Tavel Bristol-Joseph built his Austin reputation on pastry, so opening a modern Caribbean restaurant rooted in his Guyanese childhood was a genuine pivot. The cooking runs tangy, smoky, and coconutty, with fermented jerk seasoning and a roti that disappears faster than you'd expect. He earned a James Beard semifinalist nod, and the New York Times put Canje on its national restaurant list the year it opened.

A roaring fireplace anchors the dining room at this modern Mexican tasting menu restaurant inside Oceanside's Mission Pacific Hotel, where the pier view competes with what's on the plate. Chef Roberto Alcocer named the place after Baja's Valle de Guadalupe wine country, and the list leans into it. A Michelin star landed here for cooking that manages to be inventive without feeling like a dare.

The wood-fired octopus and French-Italian Riviera menu signal the ambitions clearly: this is fine dining, downtown Milwaukee, with tablecloths to match. Adam Siegel, who holds a James Beard Best Chef Midwest award for earlier work, shapes a kitchen that leans toward the sun-drenched coast without ever feeling like a theme. A James Beard nominee for Best New Restaurant, it draws the kind of crowd that books ahead and doesn't check the prices twice.

A Michelin-starred French fine dining room on the third floor of South Coast Plaza, which sounds like a punchline until you're actually sitting at the chef's counter watching a pristine kitchen run through a prix fixe that manages to feel personal rather than ceremonial. Tony Esnault's cooking leans classic French with a roaming curiosity. The patio is a quiet bonus, and the whole place moves at a pace that makes a mall feel very far away.

The sign is so discreet you'll walk past the townhouse twice before finding it, which is, in its way, a promise about how the evening goes. Vetri Cucina is an intimate Italian tasting room on Spruce Street, been around forever, with the kind of unhurried service that feels like it has nowhere else to be. A 1950s espresso machine holds court at the end of the meal, a fitting final argument from a kitchen that takes its classics seriously.

A former boat repair shop on the canal, now doing the Lord's work with cardamom croissants and Japanese melonpan. Saint Bread is a bakery with a full menu organized, with some nerve, by how many slices of bread your order contains. The "No Bread" section includes okonomiyaki, which tells you the kitchen has opinions. A James Beard Semifinalist for Outstanding Bakery, and the New York Times put it on their short list of top U.S. bakeries.

The patio at this Culver City contemporary French restaurant seats as many as the dining room, which tells you something about how the place pictures itself. Dinner is when the kitchen finds its stride, moving through chicken liver mousse in a delicate tart, clean fish preparations, and proper desserts. The wine list leans hard into by-the-glass options, which the room seems to appreciate.

A short, ever-changing menu of Spanish and Portuguese cooking in a cozy downtown dining room, where piri piri chicken gets finished with Wisconsin cheese without anyone apologizing for it. The chef is a James Beard Outstanding Chef semifinalist, and the kitchen takes dessert as seriously as the savory courses, which not every serious restaurant bothers to do. The kind of place where you eat things you won't find anywhere else in the city.

Ecuadorian and Peruvian cooking meet in a North Miami restaurant where the room feels genuinely celebratory without trying too hard. Chef Alejandra Espinoza runs a menu that moves from coastal ceviches through braised stews and into cassava fritters, all of it vivid and warm in a way that matches the decor. A Michelin Selected restaurant that doesn't feel like it's holding its breath about it.

The bottle gourd for their signature lau chingri comes from the parking lot out back, which tells you most of what you need to know about this small Bangladeshi-Indian neighborhood eatery in Jersey City. The chef and her daughter run the room, the cooking is homestyle but precise, and the dish landed on a New York Times list of the year's best across the country. A James Beard semifinalist, and NJ.com's top-ranked restaurant in the state.

Floor-to-ceiling windows look out onto Lockerbie Square's old brick row houses while tasting menu courses arrive one by one to steal your attention back. Vida is fine dining, the kind where you're choosing between four and seven courses and the chef is assembling each plate like an argument. The team behind it has drawn two James Beard semifinalist nominations, and the room makes it easy to believe them.

Old wooden beams from the original building were milled into the chef's counter, which is where you want to sit at this New England French restaurant if you can get it. The menu runs refined and a little lusty at once, French technique laid over serious local sourcing. The New York Times and Esquire both noticed when it opened, and the room has been full ever since.

Caesar salad made tableside, prime rib carved from a rolling trolley: Daniel Boulud's French steakhouse in the Flatiron plays its classic moves with full confidence. Leather-paneled bar, walnut floors, soaring ceilings, and servers who materialize exactly when needed. The dry-aged beef comes off an oak wood grill, sauces are French, the Bordeaux list is long, and the expense accounts are ready. Ranked 34th on the World's Best Steak Restaurants list.

The red velvet booths are arranged in a circle so that everyone in this fine dining room can watch everyone else, which feels about right for Vegas. Carbone is the New York Italian-American institution transplanted to Aria, where tuxedoed captains serve dishes tableside with a theatricality that matches the decor. The menu leans into the classics hard, and putting yourself in the captain's hands is an option if the bill isn't a concern.

Heirloom grains milled in-house show up across the menu at this new American restaurant on Rainey Street, which is exactly the kind of detail that sounds pretentious until you taste the cacio e pepe. The kitchen runs its own fermentation program and leans hard on Texas farms, so the menu stays tight and shifts with what's around. The patio fills fast and the dining room isn't far behind. It holds a Michelin Bib Gourmand.

Persimmon is an intimate American restaurant on Hope Street where the menu changes daily, so the website's answer to "what's for dinner?" is a shrug. The room is bright but cozy, and it fills with a cross-section of Providence, parents included, none of them there for the photos. It holds AAA Four Diamonds and was a James Beard semifinalist for Outstanding Hospitality. Dress like you're trying to impress someone.

The rib-eye comes with a lemongrass chimichurri, which tells you most of what you need to know about this Asian-inflected steakhouse in Wallingford. Rachel Yang, a James Beard nominee, and her partner built a menu where Pacific Northwest ingredients meet continental technique and a full sweep of Asian flavors. The room is big and buzzy without feeling generic. Scallion pancakes, black rice, grass-fed beef: the menu swings wide and lands consistently.

A subterranean New England seafood joint in the East Village where the menu runs heavily toward the ocean and the wine list follows suit, mostly whites chosen to keep pace with it. The New York Times named it among the city's best new restaurants, and the sommelier took a Next Wave Award. The celery root float has become something of a minor cult object, which tells you something about the kitchen's sense of humor.

A mushroom breakfast taco that Melissa Clark put on the New York Times list of best dishes eaten across the country in 2024 will tell you what kind of neighborhood restaurant this is. Ocotillo does scratch Tex-Mex in a city not especially known for it, and the housemade salsa macha alone justifies the detour. Brunch draws the loyal crowd, but the cooking has the kind of quiet confidence that makes you wonder what else you've been missing.

Sharply dressed guests line up outside a Beaux-Arts building in Southside before the doors even open, which tells you something about how this place operates. Bottega is an upscale Italian-Mediterranean restaurant where dark wood walls and high ceilings set a polished tone, and the servers are warm enough to soften the formality. A Michelin Selected pick and a James Beard Nominee for Outstanding Hospitality, it's been the city's grown-up dining room for longer than anyone's counting.

The Indonesian rosewood dining room looks out at Central Park South like it was born to, which sets the tone for an upscale Italian seafood restaurant where the power-lunch crowd arrives knowing exactly what it costs to sit here. Crudo and handmade pasta anchor the menu, the kind of cooking that earns its address without making a fuss about it. Dress up; this is not a jeans situation.

A steakhouse a short walk from the State House, which tells you a lot about who's having lunch here. Mooo.... keeps a classic chophouse feel but updates it with a menu that ranges from standard prime cuts to Japanese A5 Wagyu, depending on how the negotiations went. The room is warm and polished, the service professional without being stiff, and the beef does most of the talking it needs to.

L'Ostrica is a Montford dinner spot with an open kitchen, polished concrete floors, and the sort of wood furniture that suggests someone had a plan. The menu is Mediterranean at heart, with Asian accents sneaking in, and Fridays and Saturdays bring a tasting menu. The wine list leans on grower Champagnes, so expect a room of people who have opinions about bubbles and a check to match.

This is a Jean-Georges steakhouse at the Bellagio, and it looks more like a jeweler's showroom than a place to eat a cow, with velvet, crystal chandeliers, and a jewel-tone palette. Tables face the fountains, so the water show has a better seat than most people you know. The menu pairs Japanese and American beef with steakhouse classics, and the room fills with expense accounts and decanters of big red.

A bungalow tucked behind banana trees and bougainvillea on a residential street, Baby Bistro runs a menu so short that ordering the whole thing is the obvious move. Miles Thompson's modern American cooking shifts constantly, so whatever's on the night you go may be gone the next. The wine list stays under $100 a bottle, the room is small and lively, and the whole thing feels more like a dinner party than a restaurant.

Chicken and dumplings unveiled tableside is the move at this East Nashville restaurant built around Appalachian and Southern cooking. The share-plate menu leans seasonal but keeps a few old-school anchors no matter what, leaning into ingredients like benne seeds and paw paws in ways your grandmother probably didn't but might wish she had. The vibe is rustic and cozy, the kind of room that makes you want to become a regular on your first visit.

Floor-to-ceiling windows look out over a pond, which sets the mood before the tasting menu even begins. This is polished fine dining in Falls Church, the kind where the monthly French-inflected menu chases both the season and chef Bertrand Chemel's restless imagination. Five courses, and you choose at each one, with vegetarian and meat paths running in parallel. A James Beard Outstanding Restaurant semifinalist in 2024.

Jason Vincent's Logan Square neighborhood restaurant holds a Michelin Bib Gourmand and earned a James Beard nomination, which is a lot of hardware for a place that puts onion rings on the menu without irony. The room is modern-rustic and small, with a chef's counter in the back for anyone who wants to watch the kitchen work. The food is familiar American but tilted just enough to keep you guessing what you ordered.

The room where the Four Seasons once held court still has that same pull, now under Major Food Group, with tableside presentations arriving like small theatrical productions. The Grill is a fine dining steakhouse running an all-American menu of classics, the kind of place where the suits at the next table never glance at the prices. Grandiose is the right word, and the kitchen leans into it without apology.

The owner has competed in the U.S. Coffee Championships, which tells you something about how seriously this small local coffee shop chain takes a cappuccino. Three locations across Omaha roast their own beans in-house, and the pours are consistent enough that remote workers and afternoon meeting people have adopted them as a second office. The Home blend travels well if you want to keep the habit going at home.

A wood-fired hearth anchors this Gold Coast steakhouse, casting the kind of light that makes everyone look like they have somewhere more important to be later. Maple & Ash leans hard into the party-steakhouse genre, with deep leather couches, clubby music, and a photo booth tucked somewhere in the multilevel room. Dry-aged cuts come in generous portions, and the seafood menu holds its own. The bar is a Top 10 U.S. Nominee at the Spirited Awards.

The famed red door on Sixth Street opens into one of Cincinnati's most serious fine dining rooms, the kind where comfort food quietly arrives in formalwear. The kitchen has been around forever, occupying the old Maisonette address, and the pommes soufflées remain a knowing nod to that lineage. The menu moves between reliable classics and sharper seasonal swings, and dessert gets the same attention as everything before it.

The only all-local butcher case on O'ahu anchors this Kaimuki bakery and butcher shop, where the counter swings between venison chops and char siu croissants without missing a beat. House-made Spam shares space with liliko'i baklava danish, and the sandwich of the day rotates with whatever the butcher is working with. A James Beard Outstanding Bakery semifinalist, it's the rare spot where the lard in your almond cookie is a selling point, not a secret.

The parking lot reads like a car show, which tells you something about who comes to dinner in Del Mar. This is a sleek, dimly lit restaurant where the menu ranges from sushi to blue cheese soufflé with no apparent anxiety about that range. The chef leans into the contradiction, pulling from Europe and Asia with enough confidence that the international sprawl feels like a point of view rather than indecision.

A glass-and-marble box that practically dares the sky to blink first, Imperfecto is a modernist Latin American fine dining room where the counter seats directly under the chef's station feel like a restaurant folded inside another one. The menu works through Latin flavors with precise, elaborate technique, and a Michelin star backs the ambition. Bring patience, an appetite, and someone worth sitting across from for a long evening.

Beef short ribs draped in velvety curry and pakora-fried kale arranged like a bird's nest signal that this SoMa restaurant is doing something more deliberate with Indian cooking than most. The room is high-ceilinged, colorful, and clubby, with a roomy courtyard for when the weather cooperates and branded blankets for when it doesn't. Cocktails lean inventive, the menu is built for sharing, and the pricing reflects the ingredient quality.

Scotch 80 Prime is the steakhouse at Palms, where the wagyu comes from specific farms across Japan and the chef knows which. It's pricier than a pizza night but gentler than the Strip's steakhouses, and happy hour knocks 30 percent off select steaks and garlicky ibérico lumpia. You can perch at the bar for beef sold by the ounce, or go all in on A5 striploin and see how much marbling a human can reasonably absorb.

Tyler Florence's steakhouse sits waterfront in the shadow of Chase Center, which sounds like a pre-game stop but is decidedly not. The marble-and-leather room leans into quiet glamour, the kind of place you'd actually dress for. Dry-aged steaks are seared to a deep mahogany, oysters come from a saltwater estuary in the kitchen, and tableside Caesar service arrives without irony. The World's 101 Best Steak Restaurants lists it at number twenty-five.

The dining room juts out from the Mt. Washington cliff face, so the three rivers appear to be directly below your table, which is a lot to process when you're deciding between apps. Altius is upscale American fine dining with portions that are, refreshingly, sized for actual humans. They seat you with warm popcorn before anything else, a small signal that the room won't make you feel guilty for enjoying yourself. AAA Four Diamonds.

Cowboy Star is a downtown steakhouse that goes all in on the Western set dressing, with cowhide chairs, a steer skull on the wall, and a door handle shaped like a giant spur. It holds an AAA Four Diamond rating, so the evening runs more tablecloth than saloon. Order a ribeye, but save room for the bronzed Parker House rolls, then talk yourself out of the mechanical bull nearby.

A stained glass window of, let's say, assertive subject matter sets the tone before you've ordered a thing. L'Opossum is a fine dining room where French technique meets full-on theatrical excess, the kind of place that serves lobster mac and cheese under a name like "swank bank" and wraps a cocktail in plastic like a certain *Twin Peaks* corpse. The bathroom is clowns. All of it is intentional, and somehow it holds together.

A converted ice skaters' warming hut on the edge of a Lincoln Park pond, with the Chicago skyline framing the water outside the windows. North Pond runs a tasting menu that moves with the seasons, the chef pulling in Latin and Asian influences alongside herbs from a rooftop garden overhead. The room is warm brick and candlelight, the kind of place that earns its romantic reputation without visibly trying.